18 Jul Florence Blanchard-Interview
StolenSpace Gallery is proud to present artist Florence Blanchard’s work in our current show, ‘Adventures in Modern Abstraction’.
I began painting graffiti as a teenager in the early 90’s. It has been a long road since then and my work has evolved in new directions. Abstraction has allowed for a more personal take on the same creative energy that has been fuelling my practice since the beginning, the shapes now have a similar role to what the letters used to, providing a frame for experimentation with colour and composition.
Some of your pieces have a molecular style. Does your science background influence your work?
During my studies as a scientist I have thoroughly observed nature through powerful microscopic lenses and this experience has permanently affected my perception of the world. The shapes I paint represent imagined molecular landscapes where particles float around fluidly and the viewer is given a microscope to observe the world from a different angle.
What would you say is the most important thing you want your work to convey to people?
My paintings aim to magnify what the human eye can’t see. By offering a window into this imaginary molecular world, I intend to question our idea of visual perception, underpinned by a knowledge that all matter is made of particles, whether animal, human or mineral. Currently, I enjoy painting large-scale murals and canvases as well as very small, more detailed works on paper – there is something about the idea of shifting scales to change perspectives that really seduces me.
What other projects are you working on now and for the future?
I just finished a long stretch of projects and am happy to take a break from travelling to concentrate on organising my screen printing studio in Sheffield for the next few weeks.
Come and see Florence’s work at the StolenSpace summer group show ‘Adventures in Modern Abstraction’, on show from July 7th – August 6th 2017.
CLICK HERE to see available works from Florence and other artists showing at ‘Adventures in Modern Abstraction’.